Creative practice
How to have ideas on purpose, and what to do with the ones that arrive strange. Getting past the blank page, past the first four bars, past the point where you normally stop and start over. How to finish things.
The subject is creativity. Music is how we get at it.
This is the centre of it, and it’s what most lessons are actually about. You can start here with no instrument, no experience, and no idea what you want to make yet.
How to have ideas on purpose, and what to do with the ones that arrive strange. Getting past the blank page, past the first four bars, past the point where you normally stop and start over. How to finish things.
Playing without a plan and not panicking. This is the fastest way to find out what you actually sound like — and the quickest cure for the voice that asks whether every note is correct.
Taking a strange feeling, a chord, a rhythm, an image, or a half-formed idea and building a world out of it. Structure, arrangement, and knowing when a thing is done.
Words, melody, and the parts of a song that carry meaning. Writing something honest rather than something that sounds like the songs you already know.
Learning to hear what you actually like and why, so your decisions come from you rather than from whatever the algorithm served up this month. Listening as a skill.
Learn the rules well enough to use them, bend them, or completely ignore them. Take as much or as little of this as you want — it’s in service of the work, not the other way round.
Technique, ear, and the ability to sit down and play something that isn’t on a page. Classical grounding if you want it, none if you don’t.
Drumset, groove, independence, and the timing instincts that carry over into everything else you play.
Theory as a tool for hearing more, not a set of walls. Learned through music you already care about.
Recording, arranging, and mixing your own work so the idea in your head survives the trip to the speakers.
Kids and adults. Complete beginners through players who already know their way around. One to one, online.
One session at a time — no packages, no commitment. There’s no audition and no level you need to reach before you’re allowed to start. The first session is a conversation as much as a lesson — bring something you want to work on, or nothing at all.